2011年8月24日 星期三

一位「過氣傳媒人」的感概‧‧‧李克強訪港說起



上星期副總理李克強訪港,政府安排傳媒採訪的手法引起一眾傳媒工作者的極度不滿,作為前傳媒人的我,概嘆「今非昔比」。

1997年6月30日,即香港回歸前最後一天,當時任英國首相貝理雅來港準備出席香港回歸大典,事前與末代港督彭定康一同參觀金鐘太古廣場。當時,我被選為「聯合採訪」的香港報章代表。﹝註:香港回歸前一年,因太多傳媒關注香港殖民地時代的最後階段, 每當有這類議題的採訪,都吸引大批本地和海外國際傳媒爭相採訪,引致採訪現場非常擁擠和混亂。有見及此,傳媒機構與政府新聞處制訂 “做POOL”的守則, 即「聯合採訪」── 本地報紙傳媒和電子傳媒抽籤決定派哪一間機構作代表去拍攝,拍攝後的圖片要傳送給其他傳媒刊登使用。﹞

活動開始前,我已預早到達指定集合地點作身份核實和保安檢查,耐心等候著主角出場。 現場除了我(代表本地報紙傳媒)之外還有另外一位通訊社攝影師(代表國際傳媒)和兩隊電子傳媒(一隊是本地,一隊是英國BBC)。 突然,聽到保安人員叫對講機,知道貝理雅快將出現, 所有工作人員包括攝影師隨即進入保安圈內作拍攝準備,這時,來自英國政府的一名工作人員立即把我攔截,表示人太多了,不准我進入拍攝範圍內。我和身旁的政府新聞官都給這突如其來的決定愣了一下。新聞處的工作人員怕這英國工作人員誤會,再一次表明我是代表本地報紙的攝影記者,但那位英國工作人員仍堅持不讓我進入拍攝範圍內。這時,貝理雅已經在我視線範圍內,我向新聞處的工作人員打了個眼式:「點? 這樣會無相發!」

在這關鍵時刻,這位新聞處官一邊拉著我手臂,一邊震震有詞地說:「無理由吾俾你入去拍攝,你是代表本地報章的,來!你跟我一起入去!」我隨即跟他經過嚴密的保安圈,快速步向貝理雅身旁,正式開始拍攝工作;期間,我留意到這位新聞官走到那位英國工作人員身邊,再一次解釋我的身份及擔當的角式。最終,整個拍攝總算順利完成。

這事件讓我對當時那位政府新聞官的印象難忘,感謝他的堅持與協助,讓我能順利完成任務;反觀,今天政府與傳媒的爭拗和互不信任,與當天的通力合作形成強烈的對比,我,內心感概萬分‧‧‧

筆者─ 張峻 (Keith Cheung) ─曾任新聞攝影記者,見證香港回歸及沙士等各項香港大事,走在新聞最前線。今日,緃然離開了熱哄哄的傳媒圈子,內心仍是一位熱切的「過氣傳媒人」。

2010年1月20日 星期三

Maximize Your Photographers


Five Things A Photographer Can Do for Marketers & Communicators

By Cheung Tsun, Keith (www.phototsunic.com)

In a visually-driven era, images have become an important communications tool for marketers and communicators. I’m quite sure you must have worked with photographers to capture the essence of your events. But have you ever leveraged on the knowledge of your “visual partners” and maximized the results of your events? Here, I can think of at least Five Things that your commissioned photographer may help (let’s talk only about Event/ PR-related activities this time):

1) Tell your boss to take off her big distracting earrings

We may sometimes come across senior executives who “over” dress themselves when they are preparing for the camera, like a lady boss who wears large dangling earrings. It may be a bit difficult for an in-house communicator to ask her to take them off. But it’s usually very OK for a photographer to give his/her “professional advice” about what looks best on the camera. So, leave the “difficult” task to him/her.

2) Give advice on your event floor plan before you finalize it

You and your event contractor may have an ideal plan of how a stage or exhibition booth may look like. But you need a third-party opinion, especially when there could be some details that might have been overlooked – such as what looks good through the viewfinder, and where the logo should be placed to eye-catching effects in any photo. I’m sure giving your event participants a good experience is your first priority, but I think making your event look great on photos - which you can dispatch through various channels to the press and online media as well as your website and also share pride of place in the headquarters office of your boss’s boss – is equally important. So, it’s worth spending time to get a professional photographer’s opinion before you finalize the floor plan.

3) Suggest “photo opp” ideas

You may be very experienced in organizing events and media activities. However, there may be times that your brain is dry and runs out of ideas for photo opportunities. Don’t forget that your “visual partners”, especially those who happen to be photojournalists, may help. They might have attended numerous events and came across many different kinds of gimmicky “photo opps”. So, do get inspiration and ideas from them, and turn them into your own.

4) Help fine-tune the positioning of loose items during venue set-up.

During an event set-up, there are many things you need to fine-tune on the spot. This is when you can ask for your photographer’s opinion. For example, ask if the setup of the press photography corner needs to be adjusted. An experienced photographer can easily help you determine if the photo distance is too short or the stage level which you organize for photojournalists from the press is too low. You would never want to face a bunch of photojournalists whining in front of your guests and executives, complaining they couldn’t take a good shot of them. So, confirming if things are fine and making some necessary adjustments before hand will be crucial.

5) Help make quick decision on best photos for media distribution.

Have you ever been overwhelmed by the several hundreds or more photos from your photographer after an event? If you need to dispatch photos to the press right after the event, the short lead time and limited number of photos to be shorlisted (usually not more than 5 photos) make the task doubly challenging.Do seek your photographer’s input. For those who have been a photojournalist before, he/she should understand what photos can make it into the photo editor’s selections for a newspaper or magazine.

In addition, if you are a leader of a communications team and want to enhance your team’s understanding of what makes a good press photo, you can invite a seasoned photographer to give them a short talk or workshop on this topic at your office. There’s never enough to learn.

As images dominate our multi-media age, effective communication through images can give marketers and communicators an extra edge. Leveraging on your photographer’s expertise and somehow viewing him/ her as an extension of your communications team can help optimize the results of your event management efforts.

(This article also published on "The Pitch HK", a blog under "Marketing Magazine"@ http://pitchhk.blogspot.com/2010/01/chui-sui-central-maximising-your-photos.html )


Photo description:
PR professionals tend to select photos with prominent logo(s) to the media, whereas a photo editor always look for a less commercial but self-explanatory image telling a story.Your photographer should be able to help by finding the middle ground. Do ask for his/her advice when you shortlist event photos for media distribution.In this photo, the image depicts an auction in progress. In terms of composition, it is compact and dynamic. It shows the corporate color, bluish purple, of Sotheby’s. Though the logo is not completely shown, the brand “Sotheby’s” actually has been implicitly communicated well enough through visual elements.